DESPITE the best efforts of Summit Entertainment’s publicity team, which has a third “Twilight” movie to promote, it took more than a month to corral the heartthrob star of the franchise for an interview. Robert Pattinson, various handlers explained, was at the mercy of a chaotic shooting schedule for “Water for Elephants,” his biggest non-“Twilight” picture to date.
Fair enough. A guy’s got to work. But Mr. Pattinson was also not particularly eager to chat for the quadrillionth time about Edward Cullen, the tenderhearted vampire he will reprise on June 30 in “The Twilight Saga: Eclipse.” When he was finally able to break away from the circus (the setting of “Water for Elephants,” not the throng of paparazzi and hyperventilating girls who trail him around), Mr. Pattinson seemed to have a bit of “Twilight” burnout.
“It can get a little boring,” he said softly over coffee at the Four Seasons hotel here, referring both to playing an unchanging vampire and to chewing over the Cultural Importance of It All. “The good news is that the whole thing is done in seven months.”
Not that he’s counting the days or anything.
Fortunately for fans (and Summit) and unfortunately, it seems, for Mr. Pattinson, the tally is short by about a year. Filming may wrap up on the “Twilight” series in seven months, but Summit has decided to split the fourth (and final) “Twilight” novel by Stephenie Meyer, “Breaking Dawn,” into two parts. So Mr. Pattinson will probably be out hawking the final installment in the summer of 2012.
Please don’t misunderstand him. Mr. Pattinson, 24, is fully aware that he probably would not have much of a career without the “Twi-hards,” as the mostly female following of the movies are known. His only role of note prior to Edward Cullen was a bit part in “Harry Potter and the Order of the Phoenix,” as Cedric Diggory, the doomed love interest of Hermione. To achieve this level of success so soon after coming to Hollywood — “Twilight” and “The Twilight Saga: New Moon” took in a cumulative $1.1 billion at the global box office — is the rarely achieved dream of young actors everywhere.
But the searing, worldwide fame that has come with the franchise has left him emotionally raw. Hunted by the tabloid media (“R-Patz Cuts His Hair!”), Mr. Pattinson changed hotels six times in the month and a half he has spent in Los Angeles filming “Water for Elephants.” He arrived for coffee wearing both a baseball cap and sunglasses to cover his floppy locks and haunting good looks, and he immediately vetoed a booth hand picked by a publicist for its privacy as too public. “Kris is better about dealing with photographers than I am,” he said, referring to his equally sought after co-star, Kristen Stewart, after finally settling on an outdoor nook surrounded by tall hedges.
“I’ve learned to let it go a bit, but I’m still really bothered by it,” he said. “The more you are exposed, the more people irrationally hate you, I think we reached a point, a peak, with ‘New Moon’ where the stories became so saturated into the culture that it started to feel normal. It’s like the tabloids don’t know what to write anymore because they’ve used up all their scandals.”
He also worries about getting pigeonholed as nothing more than a teen idol. Sure, he excels as a pale brooder in the gooey “Twilight” movies, as evidenced by how fully Ms. Meyer’s legions — the books have sold about 100 million copies worldwide since 2005 — have embraced him. But Mr. Pattinson talks about a desire to play “characters that are not parodies,” and he would love to do a comedy with Todd Solondz (“Welcome to the Dollhouse”). He would like to have a career like Joaquin Phoenix, somebody who makes unorthodox roles pop. (That’s when Mr. Phoenix is working in front of the camera at all and not pursuing other interests, like music or showing up all bearded and bizarre on the “Late Show With David Letterman.”)
To this end the London-born Mr. Pattinson has been busy accepting roles that seem linked only by a quirky diversity. In “Water for Elephants,” an adaptation of Sara Gruen’s novel, he plays a veterinarian who joins a Depression-era circus after his parents are killed. The indie “Bel Ami,” from the Maupassant novel, co-starring Uma Thurman and Christina Ricci, has him playing an unscrupulous social climber who rises to power in Paris by manipulating wealthy women. A possible role in a western called “Unbound Captives” calls for him to speak almost entirely in Comanche.
“I do think the teen idol thing is something that Robert Pattinson needs to worry about,” said Jeanine Basinger, the chairwoman of the film studies department at Wesleyan University and the author of “The Star Machine.” “The question is whether an actor is so perfect at one thing at a particular point in time that the audience refuses to accept him as anything else.”
She rattled off a list. Christopher Atkins, who shot to fame (with Brooke Shields) in “The Blue Lagoon” but was soon forgotten when he tried other roles. Corey Feldman, along with most of his “Lost Boys” castmates. The verdict is out on Zac Efron, who next appears in the drama “Charlie St. Cloud.” Worrying that “Footloose” was too similar to “High School Musical,” Mr. Efron bailed on the remake and has been absent from the big screen for over a year.
“Usually the guys who have the looks to be teen idols don’t grow up to look like what we think of as rugged leading men,” Ms. Basinger said.
There is hope. Leonardo DiCaprio, whose post-“Titantic” adoration is probably the closest thing to what Mr. Pattinson has experienced, struggled to move beyond Jack Dawson (remember “The Beach”?) but successfully evolved by picking gritty roles and teaming with Martin Scorsese in movies like “The Aviator,” “The Departed” and “Shutter Island.”
“Water for Elephants,” which also stars Reese Witherspoon and Christoph Waltz, is awaiting a release date from 20th Century Fox. It’s the kind of serious literary role that could bring critical attention and stretch minds about Mr. Pattinson’s range. “There is a profound vulnerability about Rob and his mannerisms, and that makes him supremely accessible,” said Elizabeth Gabler, president of Fox 2000, the studio unit making the film. “He also has an innate kindness about him that is wonderful in this role.”
Mr. Pattinson has clearly enjoyed working on something else. He lit up when talking about the shoot, mentioning a scene in which a lion had to bite his arm and another where he had to spend hours shoveling horse manure — an unsettling detail given the grimy condition of his fingernails. “It feels like everyone is an Oscar winner except me,” he said of the cast and crew.
Much is riding on “Water for Elephants” because his leading roles outside of “Twilight” have disappointed or failed at the box office. The inexpensive romantic drama “Remember Me,” released in March, grossed only $19 million in North America. About $35 million in overseas ticket sales eased the pain a little, but the upshot was that Mr. Pattinson appeared unable to anchor a movie despite the “Twilight” nuttiness. “Little Ashes,” a foreign film in which Mr. Pattinson played a randy Salvador DalĂ (and filmed before “Twilight”), barely registered a blip in limited release last year.
The only career advice Hollywood veterans have for Mr. Pattinson is to keep doing what he is doing. “Continuing to take different kinds of roles and continuing to take chances will ultimately work,” said Allen Coulter, who directed “Remember Me.” “People unwilling to see him as anything but Edward Cullen will eventually be worn down.”
Part of Mr. Pattinson’s challenge is undoubtedly the vampire. The only movie franchise that remotely compares to “Twilight” in terms of popularity and the number of films starring the same cast is “Harry Potter.” But as the “Harry Potter” stories have progressed, Daniel Radcliffe has been allowed to grow up. By his “Twilight” character’s very nature — a vampire who doesn’t age — Mr. Pattinson is largely stuck.
“I hope it doesn’t start looking ridiculous,” Mr. Pattinson said, referring to himself growing older but playing the same character.
Audiences can judge for themselves at the end of this month when “The Twilight Saga: Eclipse” arrives at the multiplex. The second movie was more about the chemistry between Bella, the sullen high school student (Ms. Stewart), and Jacob, the werewolf (an often shirtless Taylor Lautner). The third movie, filmed at a cost of $68 million and directed by David Slade (“Hard Candy”), is about the triangle: the push and pull of Ms. Stewart’s character between her vampire boyfriend and werewolf admirer.
“As Rob has acted more, he has become less conscious of the camera and more connected to the character,” said Wyck Godfrey, a producer of the first three films. Mr. Pattinson’s confidence is growing, he said, but the actor can still be self-deprecating to a fault. “Rob comes out of every scene thinking, ‘Oh God, that was a disaster.’ ”
“Twilight” fever shows few signs of letting up. Advance sales are on a par with “New Moon,” and the number of licensing deals (Burger King, Vitamin Water, Volvo) is enormous. “Eclipse” may open on a similar scale as “New Moon”; the franchise has probably matured, analysts say. But the last two movies opened during the school year, and the hope is that a marquee summer slot — the Fourth of July weekend — will generate repeat business that dwarfs the other films.
Mr. Pattinson won’t have much time to parse the results, much less take a six-month vacation, which is what Mr. Godfrey said the young actor needs. Production for “Breaking Dawn” starts as soon as October.
source: The New York Times via TwilightBrittanyFan
Showing posts with label Bel Ami. Show all posts
Showing posts with label Bel Ami. Show all posts
Saturday, June 19, 2010
Tuesday, May 4, 2010
Wednesday, April 7, 2010
HQ Pictures of Robert Pattinson On the Set of 'Bel Ami' — 04/06/10
I know this is 'Bel Ami' Rob but I had to post them... Just look at them...*swoon*
More photos after the break...
source: Pattinson Life
Monday, March 15, 2010
ROB PATTINSON IN COSTUME FOR "BEL AMI" !
Hold onto your pants, ladies.Yes, pants... hearts...hats... well, just hold onto everything, because you might spontaneously combust.
Rob looks incredibly sexy while filming in London in his Bel Ami costume.
That is the longest fly I have ever seen!
Check out the original picture here.
ROB PATTINSON IN COSTUME FOR "BEL AMI" !
Hold onto your pants, ladies.Yes, pants... hearts...hats... well, just hold onto everything, because you might spontaneously combust.
Rob looks incredibly sexy while filming in London in his Bel Ami costume.
That is the longest fly I have ever seen!
Check out the original picture here.
Friday, March 5, 2010
Sunday, February 28, 2010
Robert Pattinson Talks 'Remember Me', 'Bel Ami' and what makes him happy...
Yesterday, press junkets were held for Remember Me with Robert Pattinson, Emilie De Ravin, and Chris Cooper for the upcoming romantic drama Remember Me. Since Rob was there to talk about Remember Me, information about Twilight was limited.
Was there a time where you were sitting with Alan Coulter and the producer and something clicked for you? Can you talk about why you were attracted to this character, and about taking that step to produce?
Robert Pattinson: Well, the producing thing. (laughs) I’m kind of embarrassed about the producing thing because I wasn’t really acting like a proper producer. I only really came on after the shoot just to kind of help Alan and Nick make sure that the product was what the product in which we all wanted to make in the end. It was the summer after the first Twilight thing. I read it then and I met with Alan and Nick. I thought they were really great, and I talked to them for hours about it. I think basically what I commented to them about was, what shocked me was I was reading a ton of scripts and it just didn’t fall into any, the way the dialogue was written and the plot was structured, it didn’t fit into any kind of normal category. It didn’t seem very formulaic. I had just read tons and tons of formulaic scripts in one genre or another and it was just such a relief to find that. There was also something about Tyler, the way he reacted to things seemed very relatable to me, and I hadn’t seen another character like it in like 100 scripts. So that’s why when the period came up between New Moon and Eclipse, we only had two months, you can’t really do that much, it’s difficult to find a movie which can fit in such a short period. It seemed like the perfect fit.
He’s a rebellious character, especially against his father. Were you attracted to that idea?
Pattinson: I mean, I don’t know if it was so much about just the rebellion that interested me. I liked how it seemed like Tyler didn’t really know what he was rebelling against. It seemed like no matter what his father was like, no matter what everyone around him is like, he’d still be rebelling. There was one interesting thing, I liked how he wasn’t fighting against everybody, he only chose to fight against his father. I think it was a pretty broken family to begin with, and I think he just takes out all of his rage on his father because his father is the only one who can take it. I mean if he tried to attack his mother, she’d probably end up killing herself or something. She’s too wounded to be able to take that. I don’t think it’s particularly typical rebel. It just comes in fits and starts all the time, so I think he’s kind of faking it. I think what he’s really rebelling against is himself.
Were there any scenes that were cut from the movie that you wished stayed?
Pattinson: I don’t know, I haven’t seen the final cut. (laughs)
What was your favorite scene to film, then?
Pattinson: I like the scene where Tyler confronts his little sister’s bullies. Basically because I kind of fancy which I would have myself just kind of being the tough guy. Actually there was more of a take that was cut out, or they didn’t use. When I pushed the little girls desk that was bullying her, and the first take I pushed it too hard and she fell on the floor and the desk on her. She looked absolutely terrified after, and it just became this turn into a psychopath. (laughs) And they had to cut it out, because they were like “you wouldn’t just go to jail for vandalism, you’d go for child abuse.” (laughs) That would really change the story. That was quite fun.
Both characters seem to really be embracing life, and I think audiences will really come away with that. What do you think is the overall feeling around love. What will people learn from watching this film?
Pattinson: I think one of the things, which I always liked about it, is that he doesn’t. Like when you meet someone who you feel whatever for, it doesn’t necessarily mean that that’s a finish line, and that’s like “oh you’ll be alright now afterwards.” I think that worked in the relationship with Allie and Tyler. I think it’s to show that its sort of ok to have, if you just have one moment of happiness, where you can feel that you’re happy, even if it just lasts for a minute. It’s worth a lot. Because I think people now, everyone does all of these things because they think they should be happy like all the time. Doing therapy, and taking anti-depressants and all of these things. If you’re happy all of the time, it’s difficult to acknowledge when you actually are happy.
What makes you happy?
Pattinson: I don’t know. It’s like these weird little things. It’s like what I was trying to put across in the movie, when funny little things happen, it’s not just meeting Allie, it’s all of these things kind of melds together and it hits you from left field, and you’re just like “oh yeah, I’m happy” (laughs)
This movie is so steep. The locations are amazing in the film, and it feels so authentically New York. What’s interesting to me is so much of the cast aren’t New Yorkers and don’t have a New York accent, and you’re Brooklyn accent is on point. I wonder if, working on that, what kind of research you did, or if you knew a lot about New York in 2001. And what it was like to film in the streets of New York?
Pattinson: My sister lived in New York for like 5 years and I used to go visit her all the time. I don’t know. When I read the script there seemed to be a sort of voice that was just there as soon as you read it. I’ve never had a dialect coach or anything. Ironically I’ve only had a dialect coach for this film I’m doing now, which I’m doing now in an English accent. (laughs) I guess I’ve forgotten how to do an English accent.
But what was it like for you to film in Queens, at NYU, what was that like?
Pattinson: It was nice. Obviously it was great for doing stuff at NYU, you’re filming at NYU, which is perfect. I like this bar, I went in there a few times before we starting shooting. That’s not really research. (laughing) Oh yeah I just went to a couple of bars. (laughs)
So that was a sum total of your New York research?
Pattinson: (laughs) No, I mean it was nice. I was sort of staying, it’s difficult to go out and stuff there at the time. I’ve gone out more in New York since. There’s funny little things which happened, experiences which I had in New York which were put into the script. Like a friend of mine, the whole fight in the beginning, how that was all set up, it happened to a friend of mine the day before we did the rewrites to the script. We were down in Alphabet City, and this guy jumped out of the car with a little mini baseball bat and just hit my friend in the face. The whole thing. It was literally the day before. The whole thing was put into the movie. (laughing) Annoyingly, I didn’t react in the same way. (laughing)
You ran?
Pattinson: (laughing) I didn’t see what was happening until it was too late. (laughs) Even when the police asked me, they asked all the people around to give a testimony. The police looked at me and was like “oh it’s alright you don’t have to give one”, and it was because of the Twilight thing. I was like “no, I want to give a testimony!” (laughing) “I want to be a witness!”
Alan spoke a lot about your focus that you had to maintain while shooting because of the constant paparazzi attention and the screaming fans. What was that like for you to shoot such an emotional movie under the eye of people Twittering about it, and people screaming at you?
Pattinson: It’s like the first two weeks were kind of crazy, because I was all around NYU and Washington Square park and there’d be tons of people around anyway. I think it was annoying people as well, that all of these crowds came and disrupted peoples days, so that was really difficult at the beginning. But, I think after that you just get used to it. You just block certain things out. I was trying to figure out a way to use the sort of rage that was built up, but you couldn’t really use it for that character. If the same thing had happened during this movie that I’m doing now, it would have been perfect and I could have gone around hitting paparazzi and stuff and it would have been great because I would have been staying in character. (laughs) But it didn’t really work for Tyler, he’s not that kind of guy.
Do you see yourself trying to sort of make a big gap between Twilight and everything else you do so people realize there this…something so different from the phenomenon that everybody focus on?
More to you…
Pattinson: No, I don’t really focus on trying to do it, I don’t think. I pick scripts the same way, I think, that I’ve always done. I barely like anything, and so it’s kind of easy to pick your jobs. The things which I’m signed onto now are all completely different. Like I’m playing a white Comanche in one thing and the parts completely in Comanche. Bel Ami is, I thought there was a kind of irony in Bel Ami as well, because a lot of the women are attracted to this character and then he kind of screws them over and steals their money and stuff. (laughs) Which I thought was quite funny compared to the Twilight character. (laughing) It’s kind of the polar opposite. It wasn’t intentional, I just thought Bel Ami was very funny, and it’s a very interesting character. With Remember Me, I’d never done a simple story before, and it’s not that simple, but its playing a normal guy and trying to relate to things on a normal level it’s kind of relief in a lot of ways.
It reminded me of James Dean on a slight, with the rebel without a cause. Did you think of him in sort of a classical way? When you said he’s rebelling against himself, that this is just someone who’s just someone who’s sort of in a fury about the way the world is.
Pattinson: I think it’s a fairly typical state to be in. I think there’s that element, but I was also interested in the kind of, in Tyler there was a lot of elements of sort of arrogance things about him, which I thought were quite interesting. To have a loss in your family, and then I think a lot of the fighting in his family is because he feels like the attention has kind of gone off of him a bit. You have these petty things, which turn you into this iconic rebel or whatever, and it’s just based on these silly things, kind of like almost despicable emotions that you have about it. I tried to make that apparent in Remember Me. There’s a reason why James Dean stereotype is so common, especially in actors, I think. I think its pretty real. It’s also an ideal for young guys I think. I think, anyway. Because as soon as you stop struggling against something, what have you got to do? That’s the whole point being young, struggling against things.
Your chemistry with the younger sister character was so strong. Can you talk about what you had to do, and if there was anything different you had to do finding that with a child actor?
Pattinson: She did everything; I mean completely. On the first day I met her. Me, Alan, and Emilie were sitting around discussing our scenes together and she hadn’t really said anything, and I kind of asked just to be nice. I was just like [ducking his head down and talking just above a whisper] “so, you know what do you think about it?” And she’s sitting there with her pencil and engaged in this whole diatribe of her characters back story and everything, and in the most interesting way. And she’d be writing notes, about all of the stuff we were saying, like quoting what we were saying. She’s phenomenal. She’s going to be a massive actress, I think. She’s the best improviser I’ve ever met. You can literally say anything to her, and she’ll completely stay in character. Even if the camera is not on her, she’ll stay completely in character the whole time. Also, she’s no actressy as well. She’s kind of like one of those weird, hyper-intelligent, hyper-mature kid. Then I saw her with her little friends and just like a little girl when you see her with her friends. I just don’t understand how that happens at all. She’s so easy to act with, you don’t have to do anything, just look at her. It’s the first time since the day I began acting where I just feel completely unselfconscious, because I could feel that she wasn’t at all and it rubs off on me. I love when she was like “you’re so retarted” (laughs) That’s just an 11 year old girl thing to say.
How was it to work with Emilie?
Pattinson: She’s great, yeah. And completely different to what I…what I thought was going to be cast.
Are you a fan of LOST?
Pattinson: I’ve never seen it
What are your thoughts on the Breaking Dawn being two films?
Pattinson: I really don’t mind either way.
source via RPLife
Thursday, February 11, 2010
Thursday, February 4, 2010
Official Press Release of "Bel Ami"
From BelAmiFilm.com:
CASTING COMPLETE ON BEL AMI
Robert Pattinson, Uma Thurman, Kristin Scott Thomas, Christina Ricci to star
London… 2nd February, 2010… Principal photography on BEL AMI is to start on February 7th 2010, shooting on locations in London and Budapest.
Robert Pattinson (Twilight series, Remember Me) plays Georges Duroy in this erotically charged story of ambition, power and seduction. Uma Thurman (Pulp Fiction, Kill Bill) is Madeleine, Kristin Scott Thomas (Nowhere Boy, I’ve Loved You So Long) is Virginie, Christina Ricci (Monster, The Ice Storm) is Clotilde, Holly Grainger (Scouting Book for Boys) is Suzanne, Philip Glenister (Life on Mars, Calendar Girls) is Charles, and Colm Meaney (The Damned United, The Snapper) plays Duroy’s adversary, Rousset. The screenplay is written by Rachel Bennette from the novel by Guy de Maupassant, and the film is directed by the influential and innovative Cheek By Jowl directors Declan Donnellan and Nick Ormerod.
BEL AMI is the story of Georges Duroy, who travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
BEL AMI is produced by Uberto Pasolini (The Full Monty, Machan) with Simon Fuller as executive producer. The director of photography is Hagen Bogdanski (The Young Victoria, The Lives of Others); Attila F. Kovacs (Sunshine, Meeting Venus) is production designer; the costumes are designed by Odile Dicks-Mireaux (An Education, The Constant Gardener); the hair and make-up designer is Jenny Shircore (The Young Victoria, Elizabeth: The Golden Age) and the editor is Masahiro Hirakubo (The Duchess, Trainspotting).
BEL AMI is a Redwave Films production in association with Simon Fuller’s new company XIX, Protagonist Pictures and RaiCinema.
Protagonist Pictures are handling international sales on the film. RaiCinema came on board early as a production partner, and will handle the film in Italy. Studio Canal followed suit, securing rights for its three territories: Optimum Releasing in the UK, Kinowelt in Germany and their own Studio Canal label in France. Elsewhere, Protagonist have completed deals with Hopscotch for Australia, Independent for Benelux, Impuls for Switzerland, Golden Scene for Hong Kong/Macau, Unikorea Culture and Art for South Korea, Central Partnership for CIS, Ablo for Eastern Europe, California Filmes for Latin America, PT Camila for Indonesia and Hollywood Entertainment for Greece and Cyprus.
…ends…
BelAmiFilm.com Note: Contrary to popular belief, filming in Budapest does not begin until APRIL. The London filming begins February 7. Many sites misinterpreted this press release in regards to the filming locations for first week.
source: BelAmiFilm.comvia Robert Pattinson Life
CASTING COMPLETE ON BEL AMI
Robert Pattinson, Uma Thurman, Kristin Scott Thomas, Christina Ricci to star
London… 2nd February, 2010… Principal photography on BEL AMI is to start on February 7th 2010, shooting on locations in London and Budapest.
Robert Pattinson (Twilight series, Remember Me) plays Georges Duroy in this erotically charged story of ambition, power and seduction. Uma Thurman (Pulp Fiction, Kill Bill) is Madeleine, Kristin Scott Thomas (Nowhere Boy, I’ve Loved You So Long) is Virginie, Christina Ricci (Monster, The Ice Storm) is Clotilde, Holly Grainger (Scouting Book for Boys) is Suzanne, Philip Glenister (Life on Mars, Calendar Girls) is Charles, and Colm Meaney (The Damned United, The Snapper) plays Duroy’s adversary, Rousset. The screenplay is written by Rachel Bennette from the novel by Guy de Maupassant, and the film is directed by the influential and innovative Cheek By Jowl directors Declan Donnellan and Nick Ormerod.
BEL AMI is the story of Georges Duroy, who travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
BEL AMI is produced by Uberto Pasolini (The Full Monty, Machan) with Simon Fuller as executive producer. The director of photography is Hagen Bogdanski (The Young Victoria, The Lives of Others); Attila F. Kovacs (Sunshine, Meeting Venus) is production designer; the costumes are designed by Odile Dicks-Mireaux (An Education, The Constant Gardener); the hair and make-up designer is Jenny Shircore (The Young Victoria, Elizabeth: The Golden Age) and the editor is Masahiro Hirakubo (The Duchess, Trainspotting).
BEL AMI is a Redwave Films production in association with Simon Fuller’s new company XIX, Protagonist Pictures and RaiCinema.
Protagonist Pictures are handling international sales on the film. RaiCinema came on board early as a production partner, and will handle the film in Italy. Studio Canal followed suit, securing rights for its three territories: Optimum Releasing in the UK, Kinowelt in Germany and their own Studio Canal label in France. Elsewhere, Protagonist have completed deals with Hopscotch for Australia, Independent for Benelux, Impuls for Switzerland, Golden Scene for Hong Kong/Macau, Unikorea Culture and Art for South Korea, Central Partnership for CIS, Ablo for Eastern Europe, California Filmes for Latin America, PT Camila for Indonesia and Hollywood Entertainment for Greece and Cyprus.
…ends…
BelAmiFilm.com Note: Contrary to popular belief, filming in Budapest does not begin until APRIL. The London filming begins February 7. Many sites misinterpreted this press release in regards to the filming locations for first week.
source: BelAmiFilm.comvia Robert Pattinson Life
Labels:
Bel Ami,
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Friday, January 8, 2010
UPDATE: Christina Ricci Joins Robert Pattinson in “Bel Ami”
Usually it’s role rumors about Robert Pattinson that draw big attention, but today the buzz is all about a possible future co-star.
An avalanche of outlets picked up a Production Weekly item that reported Christina Ricci will join Pattinson in the upcoming “Bel Ami.” The speculation has Ricci playing a character named Clotilde in the tale of Georges Duroy (Pattinson) and his corrupt rise to power in Paris.
A lot of people asked Gossip Cop whether the casting rumor was true.
Gossip Cop can confirm that it is.
A rep for Ricci tells Gossip Cop the deal was recently signed.
Source: Gossip Cop
Christina Ricci Joins Robert Pattinson in Bel Ami..
Christina Ricci is joining Robert Pattinson ("The Twilight Saga"), Uma Thurman and Kristin Scott Thomas in the Declan Donnellan-directed Bel Ami, an adaptation of Guy de Maupassant's short story which starts filming next month.
The movie tells the story of George Duroy (Pattinson), a young journalist who rose from poverty to become one of the most successful men in Paris via the ruthless and calculating bedding of the city's most glamorous and influential women.
Thurman plays the wife of Duroy's friend, a woman who is extremely involved and connected in the goings-on of Parisian society. She helps Duroy in his ascent, later becoming his wife. Thomas plays a socialite who falls for Duroy, becoming clingy in the process.
source
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